Tag Archives: oils

Squares 3 to 6

It’s been a productive time, in the last few weeks, working on these small canvases with simple subjects from old sketchbooks that hold more than just artistic memories for me; nearly every sketch has its accompanying associations and story that returns to me as I browse through them. This can slow me down when cascades of remembered emotions and situations return to the surface of my mind as I turn the pages. I am temporarily back there, people, places, animals, atmospheres, reveries, ideas, inspirations, hopes and longings… they pass, of course, assume new forms in the perspective of time and subsequent layers of experiences. For a moment, though, they are vivid flashes in my flow and web of thoughts.

Square 3.

They are in no particular order, just the ones I felt most inclined to paint at the time. I am working more slowly and with a shade more deliberation than previously, trying to become aware of how the painting seems to want to develop and to recognise the point at which I should stop, before I lose the point of the painting or overwork it, something I am prone to doing.

Square 4.

Some days I find I have the time and inclination to work for longer on a painting, wet-in-wet with oil is tricky but I quite like doing this too. Today’s painting (Square 6) is one of these. The only drawback of these days is that I may well find, in subsequent days, that there are details I’ve missed that I want to correct, though this is much easier in this medium.

Square 5.

The canvas texture and relative coarseness of my brushes limit the detail I can achieve, a limitation that is good for me I think. I like the original sketches, drawn quickly under constrained conditions, they have some life about them that is easily suffocated by a tightness and hesitancy or reticence I struggle with in transferring them to a “finished” painting. This is one reason I chose these small canvases, even though I like to work at a larger scale. They allow me to paint with a relative looseness – something I am trying to grow – in a very small area whose limits actually enable me to find the confidence to take a less self-constrained approach.

Square 6.

I intend to paint more of these, as time goes on. For now, these six will be enough, there is a seventh in progress, to allow me to start on a landscape – Scottish mountains and other places. I spent this afternoon looking through reference photos, something necessary as the mountain walks and climbs are rarely conducive to carrying and spending time in painting. I try to use the photos as triggers for my memory of the experience of being there, keys to mental doors that may reveal something I can feel and attempt to allow to express through the movement of paint and contrasts of tone and colour. I have much more to do and practice is the only way.

I hope you enjoy these, visit the Oil Paintings gallery page for larger views. I welcome constructive feedback so please feel free to comment.

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Square Two.

Resisting the urge to go for a walk onto the gloriously snowy Ochil Hills today, the second small painting has emerged from sketchbook onto canvas.

Ben Cleuch, highest of the Ochil Hills, from my upstairs window.

I am remembering a walk on the beach at Scheveningen, Den Haag, after a refreshing swim by the pier. Finding a café table, sheltered by glass panels from the wind, sketching people on the sand. This girl caught my eye, absorbed in her sand sculpture despite a strengthening wind, embodying the essence of one of the great joys of childhood.

Square Two:

Girl playing in the sand on a windy beach.
On the beach – square two. Oil on canvas board 10 x 10cm

Square One

I bought a few very small canvas boards, while my car was in a garage in Glasgow. I plan to work on a selection of sketchbook material on them. Sketches of people, singly or in groups, transient situations and relationships in composition and implied or inferred between the subjects.

Today is a good day for painting, it’s damp and chilly outside, sleet has given way to snow and now slow rain. I’m enjoying getting used to the feel of the oils too.

Square One…

Summer day in West Park, Wolverhampton, four people sitting in the shade.
Square One – West Park.
Oil on canvas board 10 x 10cm

Misty Sunday

It’s been a cold, damp, misty day, good for staying indoors and painting. .. so I did.

A fresh air walk to the river this morning gave me some warm-up inspiration, a couple of quick sketches, then back to start on the next version of a painting from a dramatic day on Ben Vorlich, near Loch Lomond.

I’m trying oils, new for me, and beginning to like the feel and extended workability of the paint. A small detail, here:

Tomorrow’s forecast may tempt me out onto the hills, as I have a day’s leave, but it’s a good feeling to have a clear focus for some artwork.

More soon. Have a good week.

Autumn Grazing

It was a pleasant cycle trip to Kincardine and a lunch of coffee, pancakes, bacon and maple syrup at Marko’s Kitchen.

Fuelled by food and exercise, another study inspired by my weekday commute past the fields and farms to Bannockburn. Sheep are in charge of the fields just now, grey-white ovals on warm orange, cool grey skies, muted light. Oils on brown paper.

Autumn Grazing study.

Time for evening soup.

Sunday morning

It’s showery outside today, my mind is distracted with diverse matters and the mood to paint, something, anything, even just some blobs and smears to show myself I’ve lifted a brush.. this urge has been an insistent presence in the argumentative board meeting in my head.

Well I’ve made a small sketch in oils on brown paper, another evolutionary step for this subject,

I plan another study on return but now my body is itching for activity, a shower has passed and it’s a good time to make a visit over the Forth on my bike to a cafe in Kincardine.

Ah, sunshine!

Have a good day.