Tag Archives: oil painting

As the rain passes..

Detail, work in progress.

Another helpfully wet day outside but I had necessary admin to do this morning, so the light was past its best when I mixed new colours. A portable video light doubles as a handy daylight, which helps at this time of day.

I got some momentum after painting the first part of what I’d planned and let it carry me along to a natural conclusion; I have to let the paint harden a bit before the final stages. I’m pleased with the progress and the result.

Tomorrow I may add some amendments to another picture that, on reflection and feedback, needs it. Resisting too early a return to this one may take an effort, though another project demands proper attention and that will help my self-control.

Perhaps a finish by the weekend..? I hope so. More soon.

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New Year Restart.

Happy New Year to you, even if you’re reading this at any other time (why not consider now to be a new beginning anyway?!). After a few weeks’ pause for work, family and festive commitments, at last I can return to the painting I started in mid-December.

On New Year’s Day I mixed an area of colour, having to work mostly in a mix of artificial light, that I thought was right. Now, in the cool north-westerly light of a dreich day, it’s no good.. scrape down and start again. In one way, frustrating, in another, a feeling of adventure, boldness and freedom arises. My long struggle with tightening up in my painting continues, especially when working on a “proper” canvas.

So back to just looking at my reference photos, digitally played-with to help experiment with approaches, then turn away and face the process: palette, brushes, canvas and my mind. Will it be a struggle or a dance?

Here we go…

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New Work: Softly, Autumn comes.

This is the working title of my latest painting, also a previous blog post from just over a year ago. The experience and sketch I referred to in that short post inspired this version, supported by further recent observations, sketches, photos and reflection in the same nearby location; the dyke along the banks of the River Forth. This dyke keeps the ancient tidal marsh as fields, for now, the closest thing to polders that I’ve seen here.

“Softly, Autumn comes ” oil on canvas board 22″ x 18″ / 56 x 46 cm

As before, I have used a smaller primed board to test colours, marks and ideas before committing to the main canvas, resulting in a second painting alongside it. It serves as a sort of play area, a “doesn’t matter ” space in which I find it easier to relinquish the attempt to over-control my painting.. steps in development. I don’t mean to imply that I am avoiding improving my technical use of the paint, I’m working on this in small steps as I learn and watch others too; whether you are seeing this in my work is less certain.. what do you think? Let me know in the comments.

Test board “Softly, Autumn comes ” oil on board 7″ x 5″ / 18 x 13cm

This is a special time of year for me, a time of memories and often changes too. This time that has included losing two friends of fairly recent acquaintance but deep connection; the reality of impermanence and uncertainty hits home, stripping away complacency, revealing attachments, reminding me of what is really important.

So now I let this one rest and cure (oils dont really “dry” in the way that, say, watercolours do) and begin to look through my sketchbooks and photos for ideas for the next painting. My focus is on landscapes at present, there is an open exhibition I have in mind to submit work to in the Spring and they need time to harden enough for framing.

Walking to the bus, earlier today, I noticed the contrast between the advance of Autumn, accelerating now as the trees let go their gold-brown-yellow burdens of leaves and days shorten, and the air temperature, which is still very mild. The shorter days leave me with a feeling of greater urgency to seize any opportunities to be outside but also to paint, a conflict I have not yet really resolved.

More soon. Best wishes and thank you for visiting.

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New marks, distant ceremony

Early stages of a new painting, while the air becomes more autumnal and I listen to the broadcast of the State Funeral of Queen Elizabeth II. Outside, a bird sings, a late white butterfly flutters on the neighbour’s flowers, a spider on my window frame catches a tiny insect.. life and death, perpetual motion.

I wish Elizabeth Windsor and the family well; however strong one’s sense of duty to an inherited role, it can’t be easy, being so much in the public eyes of the world. So whatever my feelings about the institutions of our country’s government system or, indeed, the qualities of our present government, I think these are appropriate ceremonies for someone who carried out a demanding and sensitive role very well, given our long and complex history.

For my own part, I am planting the seeds of what I hope will be new and fruitful projects.. I feel I’m making some small advances in my art, that’s part of it. Here’s a detail…

These water-mixable oils have a pleasant but faint smell; just as well given that my “studio” is an area in my bedroom too!

Have a good week and good luck with anything new.

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Tasting the impressions

Yesterday was a Good Day, spent in the Scottish National Gallery at the “Taste of Impressionism” exhibition, meeting friends there for lunch and diving back into the exhibition with my workbook and eyes open to soak up as much learning and inspiration as I could in the time.

I was impressed by the exhibition and the supporting information, even though I wasn’t able to hire an audio guide – they were all out in use! Most of the paintings were acquired by Scottish collectors and it was a superb opportunity to see both some well-known works and some paintings by artists I wasn’t aware of.

Among these was Pierre Bonnard, arguably not an “Impressionist” as such, but carrying the ideas to a new level and offering me the chance to reflect, observe and learn, to see what I can carry into my own painting practice.

There is more I could write, were it not (again) getting late enough that I need to choose between the sleep I need and the early-hours inspiration and creativity I want…. as I need to drive to work in the morning, sleep wins.

detail from “Poplars on the River Epte” by Claude Monet

Still, it’s been a Good Weekend, with some productive painting time this morning, adding to a new piece of work while rain fell outside. The work may be slow and sporadic but it is in progress. Have a Good Week!

detail from work in progress

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Thank you! 🙂