Tag Archives: landscape

Wild sketch, 1 of several. .

Phone charging opportunities are too infrequent at present to keep this blog updated en route so I’ll post something on return when I have mains electricity again.

Meanwhile, I’ve been lucky so far with the weather and winds, I had help uphill this afternoon, after a morning of beautiful cycling but arduous steep pushes on slopes up to 25%, rewarded by a long fast cruise into Scourie and a very pleasant campsite this afternoon.

I’ve made a reasonable number of sketches so far, lots more photos, though today I used the camera much more due to the need for making distance.

Here’s a sample from my first camp near the impressive Stac Pollaidh, a wild camp on a beach by the Loch:

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Favourite places

I returned to mid-Wales, a week ago, to visit my mother, join the celebrations of a good friend’s birthday and meet friends not seen for a long time. It was good.

The surf forecast proved reliable too, though with strong winds that made it hard actually to catch the lovely waves that break here more often than people expect. The water was colder than I’d experienced there for years, about the same as the North Sea!

The next day, before going to visit an artist friend, I sketched the south end of the beach :

I’ve caught more of it than I’d thought at first. something to build upon.

Scotland – storms and light

It has been a wild week: low cloud, strong to gale force winds, regular bands of rain or slushy snow,  punctuated by brilliant sparkling sunshine and, on the last day, luminous rainbows framing mountains that I have not made time to climb on this journey.

On the way north, I caught the last ferry of the day, just, to the isle of Mull, which was hiding under a thick grey winter blanket with a cold wind raising a small choppy swell.

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I have achieved all but two of the main objectives that I had for this half-term break. I have spent time with friends not seen for too long, explored some new places, slept under stars and stormy nights in my oldest tent and on a boat, immersed myself briefly in the sea and made a number of paint sketches on most days. I had intended to paint more outside, but the general wetness of everything meant that the car was my main studio, if only to prevent the sketchbook from disintegrating.

Inspired by a recent presentation to the Wolverhampton Society of Artists, I had bought a brown card sketch book to experiment with painting quickly on a nearly mid-toned ground. I have enjoyed the results, in part because I  tried to loosen up my painting and catch impressions rather than details.

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At one place, the enigmatic Clava Cairns near Culloden, I felt a figurative sketch wouldn’t work. Instead I followed a more expressive approach, a response to what I perceived in the place: the sense of the geographical location, the feeling of a flow of something through the site,  the sense of presence I felt standing near some of the cairns and upright stones.

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I’ve been able to get used to using my reduced palette of acrylics in the outdoors or in the car, refinishing the logistics of deploying and stowing paints, water and a brush or two; all good practice for a possible trip further afield around Easter.

Inspirational Workshopping

Until yesterday, I had never tried the monoprint technique. I had not really understood the advantages and potential of this approach until the workshop, run by Art North Wales at the Trigonos centre in Nantlle.

We had a busy, productive and inspiring day, everybody producing very different and interesting work, with a vibrant atmosphere of playful exploration in the room as people rolled out ink and paints and experimented with paper, card, natural materials, collaging and more to try out new ways of image making.

For myself, I am trying to take a more free and loose style in my painting and drawing, especially in my landscape work.  After the first demonstration, I started to get a flood of ideas for possible ways of using this to achieve a shift in my paintings.

I started working on backgrounds, inspired by the wonderful autumnal colours that are persisting here and the layers of colours and forms in these Snowdonia valleys between the dramatic ridges.  Leaves and  stems from the grounds provided a set of printing medial to add layers to the pictures and I tried making multiple impressions, each one very different, as is the nature of monoprinting.  The results are below, I have been inspired and will be looking at how I can incorporate some of these methods into my work…

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Autumn Change 1

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Autumn Change 3

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Autumn Change 2

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Autumn Change 4

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Ivy 1

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Ivy 2

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Ivy 3

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Nantlle rain

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Nantlle 1

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Nantlle 2

 

Tea and Cake

Against a background of bigger issues, I made some time for sketching this afternoon:

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I’ve been reinspired, during a wonderful week in Scotland (with rare internet access, a bonus) and walking up hills I hadn’t yet climbed. Creag Meaghaidh was one, my only previous attempt one winter (1992) when the cornices were huge and precarious and a gale force blizzard confirmed a wise decision to abandon the attempt. This time the climb was easy, with great views and dramatic clouds:

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Landscape and sky… light and dark, edges and haze and a sense of space and layered forms into an unknown distance…
I feel ideas growing …