Tag Archives: acrylics

Restless…

I feel a restless energy, this evening, it’s still windy outside, I should be going to bed now but the urge to paint again is returning, after a long period of observing, reflecting, sketching, seeking inspiration from others in exhibitions, doing other things..

The most recent catalyst was spending time in the Van Goch Museum in Amsterdam, including a painting workshop, about which more in a subsequent post.

Since returning and diving back into a very busy time at work, with its own circumstances to drive my restlessness, I managed finally to start some acrylic sketching on Sunday night; just acrylic on brown parcel paper, the tone and texture of which are perfect as a mid-tone.

This evening, a quick and rough self-portrait study in a small mirror by poor light and using up the last paint in the palette …

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I feel like something’s going on, a step forward, it feels to me…

Time to sleep, while the wind blows.

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Scotland – storms and light

It has been a wild week: low cloud, strong to gale force winds, regular bands of rain or slushy snow,  punctuated by brilliant sparkling sunshine and, on the last day, luminous rainbows framing mountains that I have not made time to climb on this journey.

On the way north, I caught the last ferry of the day, just, to the isle of Mull, which was hiding under a thick grey winter blanket with a cold wind raising a small choppy swell.

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I have achieved all but two of the main objectives that I had for this half-term break. I have spent time with friends not seen for too long, explored some new places, slept under stars and stormy nights in my oldest tent and on a boat, immersed myself briefly in the sea and made a number of paint sketches on most days. I had intended to paint more outside, but the general wetness of everything meant that the car was my main studio, if only to prevent the sketchbook from disintegrating.

Inspired by a recent presentation to the Wolverhampton Society of Artists, I had bought a brown card sketch book to experiment with painting quickly on a nearly mid-toned ground. I have enjoyed the results, in part because I  tried to loosen up my painting and catch impressions rather than details.

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At one place, the enigmatic Clava Cairns near Culloden, I felt a figurative sketch wouldn’t work. Instead I followed a more expressive approach, a response to what I perceived in the place: the sense of the geographical location, the feeling of a flow of something through the site,  the sense of presence I felt standing near some of the cairns and upright stones.

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I’ve been able to get used to using my reduced palette of acrylics in the outdoors or in the car, refinishing the logistics of deploying and stowing paints, water and a brush or two; all good practice for a possible trip further afield around Easter.

Inspirational Workshopping

Until yesterday, I had never tried the monoprint technique. I had not really understood the advantages and potential of this approach until the workshop, run by Art North Wales at the Trigonos centre in Nantlle.

We had a busy, productive and inspiring day, everybody producing very different and interesting work, with a vibrant atmosphere of playful exploration in the room as people rolled out ink and paints and experimented with paper, card, natural materials, collaging and more to try out new ways of image making.

For myself, I am trying to take a more free and loose style in my painting and drawing, especially in my landscape work.  After the first demonstration, I started to get a flood of ideas for possible ways of using this to achieve a shift in my paintings.

I started working on backgrounds, inspired by the wonderful autumnal colours that are persisting here and the layers of colours and forms in these Snowdonia valleys between the dramatic ridges.  Leaves and  stems from the grounds provided a set of printing medial to add layers to the pictures and I tried making multiple impressions, each one very different, as is the nature of monoprinting.  The results are below, I have been inspired and will be looking at how I can incorporate some of these methods into my work…

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Autumn Change 1

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Autumn Change 3

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Autumn Change 2

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Autumn Change 4

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Ivy 1

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Ivy 2

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Ivy 3

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Nantlle rain

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Nantlle 1

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Nantlle 2

 

“Into an old, new land”

Here is a preview of a new landscape painting, inspired by recent experiences in Scotland as dramatic rain clouds rolled in over Creag Meagaidh , as well as other things seen in the Cairngorms, earlier in the year.  Unusually, for me, it combines elements from several experiences. This and other acrylic works are on the updated Acrylic paintings page.

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Into an old, new land – acrylic on canvas 76x51cm 2016

The inspiration for this painting ‘boiled up’ for me in the wake of the UK’s referendum on EU membership, added to what transpired to be a fruitless journey at short notice.  I felt the result in a very personal way that surprised me; I spoke to others who said the same. As the train rolled south on the day of the result, I felt I was returning to a land that was less home, more foreign, to me now.  The heaviness of the greys in the clouds, which I find beautiful and fascinating to watch, along with the strong contrasts and feeling of compression of the mountains, the gaps of light offering possible escape routes from the crushing presence of the rain-bearing masses.. all these had a resonance for me in the present situation.

I may add some finishing work to this, though not a great deal, it is essentially ‘done’.  I feel the sense of danger but also opportunity that changes bring; it is not an easy time.

 

New Site, New Start

Cloud-Land – acrylic on canvas – 16 x 16in – 2009

This is the new incarnation of my previous website at http://www.christerrell.co.uk .  This blog will have updated information on work in progress, exhibitions and so on.

The Pages will contain images and notes on my paintings in Acrylic and Watercolour and on work in other media. Images of the recent Acrylics are now up on that page, including a link to Oriel Tonnau in Pwllheli, North Wales, where they are being exhibited at present. I’m adding to the others as time allows.

Thank you for your patience as I rebuild and evolve the site; if you want to contact me to discuss works, buying a painting, etc, please do this by leaving a comment.  I intend to keep a regular check on this blog.  I may put up an email link soon, which will make this easier.