Scotland – storms and light

It has been a wild week: low cloud, strong to gale force winds, regular bands of rain or slushy snow,  punctuated by brilliant sparkling sunshine and, on the last day, luminous rainbows framing mountains that I have not made time to climb on this journey.

On the way north, I caught the last ferry of the day, just, to the isle of Mull, which was hiding under a thick grey winter blanket with a cold wind raising a small choppy swell.

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I have achieved all but two of the main objectives that I had for this half-term break. I have spent time with friends not seen for too long, explored some new places, slept under stars and stormy nights in my oldest tent and on a boat, immersed myself briefly in the sea and made a number of paint sketches on most days. I had intended to paint more outside, but the general wetness of everything meant that the car was my main studio, if only to prevent the sketchbook from disintegrating.

Inspired by a recent presentation to the Wolverhampton Society of Artists, I had bought a brown card sketch book to experiment with painting quickly on a nearly mid-toned ground. I have enjoyed the results, in part because I  tried to loosen up my painting and catch impressions rather than details.

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At one place, the enigmatic Clava Cairns near Culloden, I felt a figurative sketch wouldn’t work. Instead I followed a more expressive approach, a response to what I perceived in the place: the sense of the geographical location, the feeling of a flow of something through the site,  the sense of presence I felt standing near some of the cairns and upright stones.

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I’ve been able to get used to using my reduced palette of acrylics in the outdoors or in the car, refinishing the logistics of deploying and stowing paints, water and a brush or two; all good practice for a possible trip further afield around Easter.

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